Assignment #1: The Skeleton and Skull
Life Drawing; Stevenson
Due Sept 7
In order to draw the figure with any quality,
you must have knowledge of anatomy. This
assignment is the beginning of our study of basic artistic anatomy. It involves making two detailed drawings, one
of a full skeleton, and the other of a complete skull.
Read Chapter 3 in Goldstein. Then, on the first page of your new
sketchbook, you are to draw a complete
skeleton
as accurately, proportionate, and as detailed as possible, with the major bones
from the list provided neatly labeled.
You may use any full skeleton image in Goldstein or research your own
accurate image (see example on blog).
Use a finely sharpened pencil to accurately render as many of the 206
bones of the body as would be visible in the view that you’ve chosen. Do not crop your skeleton at all and be sure
to fill your sketchbook page as much as possible without compromising
proportion or accuracy.
Then draw a
skull
that is just as finely rendered. Your skull
drawing should fill the sketchbook page without compromising accuracy, and it
must not be cropped at all. DO NOT draw on page facing the skeleton drawing—the
two drawings will rub together and ruin each other.
You are to label both drawings neatly and
without compromising the details of the drawing with the list of bones below.
·
Femur
·
Fibula
·
Patella
·
Tibia
·
Pelvis
·
Tarsals
·
Metatarsals
·
Greater trochanter
·
Pubic
arch
·
Pelvis
·
Anterior
superior iliac spine
·
Iliac
crest
·
Lumbar
vertebrae
·
Sacral
triangle
·
Thoracic
vertebrae
·
Ribcage
·
Sternum
·
Clavicle
·
cervical
vertebrae
·
Humerus
·
Radius
·
Ulna
·
Carpals
·
Metacarpals
·
Phalanges
·
Mandible
·
Maxilla
·
Zygomatic
arch
·
Zygomatic
bone
·
Frontal
bone
·
Temporal
fossa
·
Nasal
bone
·
Mastoid
process
·
Coronoid
process
·
Styloid
process
·
Supercilliary
ridge
·
Orbit
·
Cranial
Suture
·
Mental
protuberance
·
Parietal
bone
·
Canine
fossa
·
Occipital
bone
·
Sphenoid
bone
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